世運站設計理念－TOMY

馬爾地夫瑛太小琉球洋基 BJD

世運站設計理念The R17 Canopy features brush strokes from the Sword of Damocles, the design patterns of Datakinetic Veneer, and colored light of the Rainforest washing the consourses and metal structure. R17 機蓋特點刷子衝程從Damocles 劍, Datakinetic 表面飾板, 和雨林的色的光的設計樣式洗滌consourses 和金屬結構。 At 45' overhead, four-foot long leaves lower the forest canopy of Half Cliff Mountain.在45' 頂上, 四英尺長留下更低半峭壁山森林機蓋。Ron Wood painted the Sword of Damocles, referencing the Greek Legend of the same name. In the glass canopy, the Sword of Damocles traces the art glass perimeter, roughly 540 feet long. The painting celebrates the power and ramifications of decision.Ron 繪了Damocles 劍, 參考同樣名字的希臘傳奇。在玻璃機蓋, Damocles 劍追蹤藝術玻璃周長, 大致540 英尺長。繪畫慶祝決定的力量和分枝。Sunlight glints off the structural tower visible through the transluscent canopy art glass. 陽光閃耀結構塔可看見通過transluscent 機蓋藝術玻璃。 The R17 Canopy design celebrates human conservation effort and the advance of the forest.R17 機蓋設計慶祝人的保護努力和森林的前進。Datakinetic Veneer setup in an inactive state.Datakinetic 表面飾板設定了在一個不活潑的狀態。Datakinetic Veneer is a generative system developed by Christian Karl Janssen. This system was adapted for the R17 canopy to accentuate dimensionality within a single layer of printed film. Each art glass panel is a safety-glass panel of two tempered 0.25" (6mm) glass panels laminated together. Datakinetic 表面飾板是一個生成系統由Christian ?卡爾?Janssen 開發。這個系統適應使R17 機蓋強調幅員在列印的影片之內層數。玻璃盤區是安全玻璃盤區二的各藝術磨鍊了0.25"(6mm) 玻璃盤區一起被碾壓。 This poster details the Datakinetic Veneer at the northernmost end of the Sword of Damocles. This is one of twelve R17 Canopy posters from the May 2007 series.這張海報選派Datakinetic 表面飾板在Damocles 劍的最北的末端。這是十二張R17 機蓋海報的當中一個從5月2007 系列。Ants harmoniously work together to sustain a colony. Bees nurture the hive. The Datakinetic Veneer strut network interoperates to translate data into form. Hexagonal glass prisims carry color; metal clips, bearings, and struts dynamically establish structure. Datakinetic Veneer is a dynamic sculpture whose form at each instant is a response to data—real-time transit system operational data, motion sensors, thermal security cameras, a child singing, or nearly any concievable form of data. Magnendium is a fictitious metal making possibe the intelligent mechanical network. Magnendium is a grown as a crystal—the growth process is a programming, an encoding of future potential with specified attributes. Datakinetic Veneer struts are manufactured as cylindars with the capacity to expand and contract along a central axis. Janssen's first practical application of the Datakinetic Veneer was generating image-driven textural layers of glass etching for the Sea Level project in collaboration with Ron Wood. This image is the first published by Janssen in development of a virtual sculpture installation in the Main Gallery of the Digital Art Gallery. The Digital Art Gallery is a digital art program developed and funded by the Kaohsiung Rapid Transit Corporation.螞蟻和諧地共同努力承受殖民地。蜂哺育蜂房。Datakinetic 表面飾板高視闊步網路interoperates 翻譯資料成形式。六角玻璃prisims 運載顏色; metal 夾子, 軸承, 並且高視闊步動態地建立結構。Datakinetic 表面飾板是形式在每個立即是對資料真正時間運輸系統操作的資料、運動傳感器、熱量安全監控相機、孩子唱歌, 或幾乎任一個資料的concievable 形式的一個反應的一個動態雕塑。Magnendium 是一種虛擬金屬做possibe 聰明的機械網路。Magnendium 是增長作為水晶這成長過程是編程, 未來潛力內碼以指定的屬性。Datakinetic 表面飾板高視闊步被製造作為cylindars 以容量擴展和收縮沿一個中央軸。 Datakinetic 表面飾板的Janssen 的第一個實際應用引起玻璃蝕刻圖像被駕駛的質地層數為海平面項目與Ron 木頭合作。這個圖像是由Janssen 首先出版在真正雕塑設施的開發中在數字式美術畫廊的主要畫廊。數字式美術畫廊是一個數字式藝術節目由Kaohsiung 高速運輸公司開發和資助。資料來源：http://www.ronwood.com/r17/canopy_study.htmlp.s以上翻譯文字是由 yahoo 網站翻譯，尚未修飾所以文字不通；但是意思對70%.有空我會修改翻譯。